“Lindsay Lohan? Pamela Anderson? Britney
Spears? Paris Hilton? What a litany of trust-funders and
clothes-horses who have done their entire gender a disservice,”
Myron spluttered. “Just like Danica. Danica is all
style and no substance. She finished fourth in the Indy
500 only because she spun out on a caution lap and caused
four other cars to crash! Give me a break.”
“Dude, I have to play Devil’s advocate. Crash
under the yellow flag aside, Danica led a couple of laps
in the Indy 500. No chickee has ever done that before. And
she’s a rookie.”
I then told Myron about the time I went to Pole Day for
the Indianapolis 500 a couple of years ago. That year the
fairer sex was represented on the speedway by Lyn St. James,
who qualified at the back of the pack. Just to show that
the race fans were behind her efforts, some of the bleacher
rats hung a banner that read: “Atta’ Boy, Lyn!”
As I finished that anecdote, “Heart of Glass”
by Blondie began to spin on the jukebox.
“Hey Sunshine,” Myron yelled. “I thought
you only had Thai music on the jukebox.”
“Blondie popular all over the world. Besides, Debbie
Harry and Blondie good for karaoke night.”
“Finally,” Myron whispered dreamily as he basked
in Debbie Harry’s crooning and ran his dirty fingernails
through his unkempt hair. “A woman in the mix who
has earned her stripes.”
“Listen, dude,” I interrupted. “You are
wrong about Danica Patrick and you are wrong about Blondie.
Debbie Harry was a no-talent blank slate for a team of songwriters
and record producers. Her voice is a thin as a reed and
is as tortuous as said bamboo shoot up the fingernails.”
The pai gow poker players heard the bit about the “bamboo
shoots,” put down their cards and cigarettes and looked
at Myron and me.
Myron was oblivious to their actions and fired back at
me. “I think your low regard of Ms. Harry as a so-called
‘blank slate’ is mebbee’ a little bit
too simple and is possibly sexist.”
“Wait a minute, ‘Mr. Two Virgins for Twelve
Dollars.’ You’re calling me sexist?”
“Yes, I am. Your take on Ms. Harry was kinda’
reductive and painted with a real broad stroke of the brush,
no doubt about it.”
I felt compelled to explain myself. “I don't think
that being a ‘blank slate’ is necessarily a
bad thing,” I said. “For example: Some of the
finest pop music ever made only happened because some kind
of egomaniacal freak went apeshit in the recording studio
with some glorified blow-up doll of a singer. Like Blondie.
Or like Phil Spector’s catalogue: the Teddy Bears,
the Ronettes, etc. My point is someone has to be the mastermind
and SOMEONE has to be the blow up doll.”
“Are you calling Blondie and Danica Patrick blow-up
dolls?” Myron asked as he tossed the copy of Sports
Illustrated down the bar.
“I am saying that Blondie is a blow-up doll, but
that Danica Patrick can actually drive a racecar. But even
so, there is a tradition of no-talents of the fairer sex
making waves in popular culture, whether it is with a racecar
or a microphone. I am saying that regardless of talent,
brazen sexuality trumps substance and makes headlines.”
This caught Sunshine’s ear.
“Danica Patrick may be bigger than Britney Spears
blow-up doll,” she said. “But she no Hwa Hwa
and Bell.”
Myron got up and put some money in the jukebox.
Cole Coonce blogs about drag racing, cycling, punk
rock and modern literature at www.kerosenebomb.com;
He can be reached at cc@kerosenebomb.com
|
Where
The Pavement Ends [5/5/05]
CLUB ASTON
IN VAN NUYS: FROM GUMP TO GOLDFINGER TO GUV’NOR,
WITH A SIDE OF THE SEX PISTOLS |
|
|